Thursday, April 30, 2015

Whatever Happened to the Man of Tomorrow?

Back in 2013, Man of Steel came out, and I was pretty excited about it. You may have noticed. Even when there were some pretty heavy criticisms of the movie, I defended it. When the Batman/Superman movie was announced, I was pretty ecstatic.

And now we have the first trailer:



And I hate it.


In the last couple years, I've watched Man of Steel maybe five or six times. Every single time I've seen it, I've liked it less and less. Now I can barely watch it at all; it grates on me to a point where I just don't enjoy any of it.

Here's the thing: Man of Steel is not a Superman movie. It's a movie that has Superman in it, but it's not a Superman story. It's an alien invasion movie, along the lines of Independence Day or Transformers, but way more serious and less fun.

Seriously, let's cross-examine Man of Steel's plot with the plot of the Transformers movies:


Man of Steel, and, from what's shown in the trailer, Batman v. Superman, essentially give us a morally gray universe and story. One where Superman isn't so much a hero as a powerful being, perhaps trying to do good, but in many ways seemingly failing.

And here's the thing: if Superman were real, in our world, these kinds of controversies absolutely would happen. It's a reasonably realistic view of the way things would work. But that runs contradictory to everything that Superman is.

Superman is a character made to challenge our views of what is possible or realistic. Not simply because he has superhuman powers, but because he dares to make a difference. In the 1930s, when Superman was created, problems like political corruption, economic devastation, and rampant crime were huge issues in the United States—far worse than today. Superman took those issues head-on. He helped save citizens whose apartments were literally falling apart above their heads. He stood in the path of gang violence. He shone a light upon corruption, and forced politicians to take personal responsibility for their actions. Even problems like domestic abuse weren't off the table.

It's been said (and rightly so) that at their core, superhero stories are adolescent power fantasies. That sounds juvenile and wrong, but it's a good thing at its core. It could be translated as, "what if I had the ability to fix society's problems and make the world a better place?" It's the idea that every young person has in his or her head, but most somehow lose in adulthood as the status quo of cynicism sets in.

And of course, that's the trick: we do have the power to change things; we only think we don't. We assume the world is broken in ways that can never be fixed, and we therefore don't even try. Every single problem that Superman faced in those early years is something that we can fix ourselves, as long as we're willing to try. Throughout his entire history, Superman has always encouraged others to do what they can to help in their own way, no matter how small. Superman himself—when written correctly—thinks of himself just like anyone else. At his core, he's "just a guy."

I've quoted this before, but I think it's poignant so I'll quote it again. Mark Waid, one of the greatest comics writers of all time—and one who claims to have read literally every Superman story ever written—once said this:

"Here is a guy with the power of a god, someone who can rule the world starting today if he desires. Who can have anything his heart longs for and get away with positively any deed imaginable, all without one single threat of reprisal. But with the totality of time and space subject to his slightest whim... he chooses only to help others. That is Superman's greatest power. When presented with the opportunity, he takes action to make things better — and that's a power that lies within us all."

Superman isn't a story about a powerful alien bringing simultaneous destruction and salvation upon mankind, nor is it a story of humanity's moral grayness. It's a story about making a difference; about improving our world through nothing more than our belief in what's right and our will to carry it out.

Ironically, there's something about the story seen in the Batman v. Superman trailer that I think perfectly captures my overall point. The world, as seen in the Man of Steel universe, is unaccepting of the idea that Superman is "just a guy" trying to do the right thing; they can only see him as a savior/destroyer. Man of Steel is the story of a world unwilling to let Superman be what he is. In Man of Steel, Superman never wanted the Kryptonians to attack Metropolis, and he was never directly responsible for any innocent deaths himself. He didn't want to kill Zod, and the fact that he was forced to practically broke him. And now in BvS, he's put on a pedestal that he undoubtedly never asked for. Like I said in the beginning, Man of Steel has Superman in it, but it's not a Superman movie. It's not a story of hope, or of positive change. It's a story of destruction, with a world angry at and afraid of an alien invader despite his best efforts. Batman, apparently, represents the voice of an angry humanity, ready to tear Superman down out of the sky.

Warner Bros. (and perhaps DC Comics in general) seem unwilling to actually let Superman be Superman in the way that he should be. Instead of meaningful stories of hope and "what might be," we're given darkly self-reflective stories that show humanity mired in its own fear.

If there is any hope in Batman v. Superman, however, it's that we know there's a battle. This is a chance for Superman to stand his ground and make a statement; to put his foot down and say "this is who I am; deal with it." And maybe when the dust clears, we'll have a story that proclaims "this is Superman." We'll have to see.

Sunday, January 11, 2015

Christmas Vacation 2014

So my mom and I drove out to Green Bay to visit family for Christmas again. To be technical, it was the week after Christmas, so more like New Years with a side of late Christmas.

Leaving Haslet.

Mom didn't know I took this, but if she did she'd be very upset.


Just inside Oklahoma.

Oklahoma has these cool rock walls from where the roads were cut into the hills.


Eventually it started snowing. We didn't know it at the time, but despite the fact that we were headed to Green Bay, this was the most snow we'd see the whole trip.


This is the 2nd-story back porch view from my Aunt/Uncle/cousins' house. You can kind of tell in the below photo that the bay is frozen over.



The basement is pretty cool.


And these are my cousins. Left-to-right: Rhiannon (Rio) (15), Sierra (19), Colin (17), and Celine (20).

They got a new kitten. He apparently liked my leg.


Celine also got a chameleon recently. I persuaded her to name him Pascal after the chameleon from Tangled.






Rio watching Fullmetal Alchemist: Brotherhood.


Even super nice/fancy restaurants in Green Bay have Packers logos on their cups.

My uncle Mike and Sierra completely dead asleep.

I played a bunch of X-Wing Miniatures with Uncle Mike. As you might imagine, it's a strategy game using miniatures. Uncle Mike really really likes strategy games, so he got really intense with it.


Celine with the cat.

Celine and Sierra after a long day.

Everybody watching Oculus. Which I did not finish because stressful.


I guess in hindsight Celine was on her phone a lot.


There actually wasn't a whole lot that went on during this trip. Most everyone was busy doing their own thing, so I spent most of my time alone playing video games at the house. Not that I'm complaining, exactly. I wasn't sad/angry/disappointed. It just kinda turned out to be a "pretty decent" trip rather than the usual "that was awesome" trip it usually is. Maybe if we'd actually been there on Christmas day it would have been better. I dunno.
Probably not, actually, because most of my cousins are getting older now. Celine and Sierra are both adults, with their own lives. College, working, driving places, seeing friends, et cetera. It's not that they didn't want to spend time with us while we were there, it's just that they have lives now. I kinda always figured it would happen, and I sort of figured I'd be more sad about it when it did. But I think it almost feels normal, really.

On the way back down to Texas, my mom asked me if there was anything I still wanted to do or anywhere I wanted to go. I said the only place I really wanted to go to was Metropolis, Illinois, a tiny town that's famous as "the home of Superman." Stephanie went there on a road trip earlier in 2014, so it was sort of fresh on my mind. But it was way out of our way, so it wasn't really an option.

When I got home, I found a Christmas present package from Stephanie. Inside was a deck of playing cards and some green rock candy... from Metropolis, Illinois.


I can't even explain how awesome that was. It was like finding a piece of a dream in reality. Also, the timing was just too perfect.

So yeah. That was my trip. Pretty uneventful, but nice. Sorry it took me a week to post this, but I've been out of the blogging habit. Oh well. Hopefully that will change.

Tuesday, January 6, 2015

This is the way the year ends

So the last few weeks have been pretty interesting for me. Not interesting as in important, just a bunch of neat stuff that I'd like to go over in blog form this week. More detailed posts will come later, but for now I'll just summarize.

First of all, I went on Christmas vacation. Sort of. It was the week after Christmas. But it still counts, right? My mom and I drove up to Green Bay yet again to visit family. I'll do up a full post with images and details later.

While on said vacation, I discovered the American-made CG anime series RWBY (Pronounced "Ruby"). It's officially one of my favorite new shows.

Lastly, after combining the powers of several gift cards, I bought a Wii U console. It's pretty epic.

So yeah. More to come on all that later.



*Note: this blog post's title is not, in fact, a reference to T.S. Eliot, but rather the Halo 3 announcement trailer.

Thursday, October 23, 2014

Fall TV

At this point, the TV season has returned in full. These are the shows I'm watching and what I think about them so far this season.


Returning Shows

Agents of SHIELD
It's... good. I can't say I'm terribly excited to see it every week, but it's enjoyable enough that I keep going back to it. It's unfortunate that the first season was so bland that most discussion about the show now consists of "well, it's better than the first season" and "I think the show is good now."


Arrow
It's three episodes into season 3 as of tonight and it's really good. Arrow has been doing a great job of walking a comfortable line between silly fun and legitimately good drama, having an over-the-top comic book fight scene one minute (motorcycle archery duel!) and then killing off a main character the next. Whether it's to just have fun or to see where the story's going next, I'm always looking forward to Arrow.


The 100
The 100 started off last season almost as "Lost with teenagers," but it quickly ended up being "Lost and Battlestar Galactica, with all the drama of both." Honestly, it's almost shocking how good the show is. It's not very uplifting, per se, but it's certainly gripping.


The Legend of Korra
This is the last season for Korra, and although it's sad to see it go, these last episodes are among the best.


New Shows

Gotham
I didn't expect to like Gotham as much as I do. That said, I still have a lot of problems with the show, largely because of the premise.
Gotham is really two stories: one focused on Jim Gordon working his way through the corrupt GCPD system, and the other being a neverending series of winks and nods toward the proper Batman storyline. "Oh look, here's Poison Ivy/The Riddler/Catwoman/The Penguin when they were younger." "Oh look, here's ten-year-old Bruce Wayne being weird."
I like the Jim Gordon stuff, but the simple fact is that you really can't "set up" the Gotham super-villains before they're actually supposed to be super-villains. It's almost getting into Smallville territory, where every character had shown up and been important before the main hero ever put on the suit.
So... it's good, I just have reservations about it.


The Flash
This. Show. Is. AWESOME.
Seriously, this is so much fun it's ridiculous. Unlike Gotham, Smallville, and most other modern live-action comic book shows out there, The Flash doesn't hold back on what it's doing. This is a straight-up SUPERHERO show, with no comic book character off-limits. Arrow has been doing a similar thing with the street-level characters like Green Arrow, Deathstroke, and Huntress, but The Flash has... well, the Flash. With plenty more heroes and villains on their way.
What's better is that The Flash is a fun show that's genuinely uplifting. None of that grim/gritty nonsense. But it's not devoid of drama, either. There's a genuine heartfelt element to The Flash that's all-too-rare in superheroes these days.
This is my favorite show on TV right now; I love it.

Tuesday, October 21, 2014

iTunes Radio - The Princess Dilemma

iTunes Radio has a Disney Princess station. When I discovered this, I was elated. Then I realized that I already own the vast majority of songs in the playlist.


Oh well.

Wednesday, July 16, 2014

Maleficent

So I just got around to seeing Maleficent.

I'm a really big fan of the original animated Sleeping Beauty, so I was really excited to see it brought to live-action. As it happens, it wasn't really the same story at all.

I really liked the movie overall, but I do have some big problems with it. I'm gonna go into crazy spoiler territory here, so if you haven't seen the movie yet (and it is worth seeing), don't read any further.

In Disney's Sleeping Beauty, the baby Princess Aurora is cursed by by Maleficent, "the mistress of all evil," who decrees that on her 16th birthday, Aurora will prick her finger on a spinning wheel and die. In order to protect Aurora, the Three Good Fairies are able to slightly alter the curse so that Aurora will not die, but rather fall into a permanent sleep. Additionally, the fairies take Aurora deep into the woods and raise her as their own daughter, hiding her away from Maleficent's gaze. As Aurora's 16th birthday nears, she meets and immediately falls in love with Prince Phillip. Meanwhile, Maleficent finally discovers where Aurora has been hidden, and the curse is finally fulfilled. Prince Phillip, with the aid of the Good Fairies, is able to slay Maleficent. Aurora is still comatose, but awakens when Phillip kisses her.

Maleficent is much more complicated, and I don't want to summarize the entire thing here. But essentially, in this new movie, Maleficent replaces Three Good Fairies and Prince Phillip. Those characters still exist in Maleficent, but they're entirely useless. The Three Fairies completely fail in their task in every conceivable way; they add absolutely nothing to the story. Aurora herself seems to not even care that they exist. Where Prince Phillip's romantic kiss broke the spell in the original movie, Maleficent's change of heart and motherly love broke it in this one. Maleficent takes on the motherly traits of the fairies as well as the heroic traits of Phillip, meaning that those characters are rendered worthless. Even Aurora herself isn't much of a character, though that's not much of a change from the original. And in order to make Maleficent an anti-hero rather than a full villain, there must be someone even more evil than she is. King Stefan takes on that role, being nearly as all-consumingly evil as Maleficent was in the original film.

Where the animated film had somewhat of an ensemble cast, with no single protagonist but a group of heroes united against a villain, Maleficent is singularly focused on Maleficent, giving her every role at once: hero, villain, mother, victim. It actually reaches the point where Maleficent herself doesn't at all resemble the original villain—the single greatest villain in all of Disney history, I might add.

This movie isn't about Maleficent from Sleeping Beauty; it's about a completely different character that merely looks and sounds similar. Such a complete reinvention isn't an intrinsically bad thing, of course, except that the movie itself is clearly a modern commentary on the original. It even ends with a voiceover saying, "this is how the story really happened..."
And that's the thing: if it wanted to be an original story, it shouldn't have bent over backwards to constantly reference the older movie. And on the other hand, if it wanted to caringly revisit that story, why did it effectively crap all over everything that actually worked about it?

Sleeping Beauty had a light-and-dark moral tale, with clearly defined heroes and villains. It's often criticized for being too simplistic, but it works. Maleficent is a story that tries so hard to rework Maleficent into a positive character that every other character in the story is either evil or useless.

Now, I did say that I really liked the movie, and overall I did. I just don't like some of the plot choices that were made. Maleficent's story works on its own, even if it's just odd in comparison to the original.

I think I'm gonna watch the animated movie tonight, and I'll definitely watch Maleficent again when it comes out on blu-ray.

Tuesday, July 1, 2014

Trans4mers

I saw Transformers: Age of Extinction on Friday.

I've had kind of a weird history with the Transformers movies. Every time I've walked out of a Transformers movie, I've been happy with it.

Despite the stupidity of the first movie, getting to see actual photorealistic transformers on the big screen was too much of a dream come true for me to not be happy. Every time I've seen it since, I've liked it less and less. Last time I watched it (which was last week,) I realized that a good 70% of the movie does not matter. Literally, you could cut out most of the movie and the story would still work.

With the second movie, my expectations were so incredibly low (I'd read early reviews) that *anything* good in that movie would have pleasantly surprised me. Also, I walked in thinking, "all I want is to see giant robots smashing each other, and for Optimus Prime to have one awesome fight scene." And both of those things happened on an EXTREME level, so I was incredibly pleased. Then I saw the movie again and thought, "...is this the same movie I saw last week? This is seriously bad..."

The third movie I think is the only one that, on some level, actually succeeds as a Transformers movie. The action works, there's less stupidity, and it focuses primarily on the transformers themselves rather than the humans. Upon repeat viewings I've liked it far less, but I still don't hate the movie. It has some big problems, but I do still like it to a mild degree.

And then we have this new movie. Transformers: Age of Extinction. I'm really not sure why they didn't just title it Trans4mers, or Tr4nsformers, or Transformers: 4ge of Extinction, or T4: Judgment Day, but whatever.

So here's the way T4 is laid out:
After the gigantic battle in Chicago in the last movie, all transformers—including the Autobots—are now pariahs from humanity. A bounty hunter transformer, Lockdown, who is neither Autobot nor Decepticon, is aiding the CIA in hunting down the remaining transformers on Earth. When we find Optimus Prime, he's wounded, barely alive, and rightly pissed at humanity for betraying him. He's seen his allies slaughtered and their bodies used for scrap metal; he's completely done with his mantra of, "we must protect humanity at all costs." That storyline is incredibly cool. It's not dumb, it's done well, and it's a legitimately great new idea for Transformers. But that only goes so far.

At some point in the movie (really it's when the rest of the Autobots are introduced into the story), the story takes a nosedive back into the cartoony, ridiculous nonsense that plagued the first three movies. Now, this movie doesn't have any of the absolutely horrendous things from the old movies. There's nothing in Age of Extinction even approaching the level of racism and stupidity from the Twins in Revenge of the Fallen. There's no robot testicles like in Revenge of the Fallen. While there is a "hot girl" in the movie, she's nowhere near as molested-by-the-camera as Megan Fox or Rosie Huntington-Whitely were. What this movie does have in the negative category, though, is length. This movie is almost three hours long. And it honestly only needed to be maybe an hour and forty minutes. There's so much unnecessary fluff in T4 that it's sickening. It's like no one hired an editor. Toward the end of the movie, I was sitting there wanting to scream at the screen. I wanted all the robots to die, not for story reasons, but just because I wanted the movie to end. Ironically, the lack of goofiness in the movie only hurt it—without the campy nonsense to lighten the mood, a long Transformers movie is a complete chore to get through.

And then there was one last fight scene at the end—not over-the-top, well-choreographed, and all in all very well done. It actually made me a little bit bitter at the movie. It started off with a really great premise, worked well up to a point, then went sour for an hour and a half. And then it ended with a great fight scene that only seemed to remind us how good the movie could have been.

And that's the thing, really. I've seen tons of movies that let me down as a fan of the story: Superman Returns, The Last Airbender, Man of Steel... and this one. I don't put the other Transformers movies on that list primarily because they didn't exactly disappoint me. I've never been 100% certain that a live-action Transformers movie could work the way it does in animation and comics. But here, for the first time, we got a glimpse into a world where Transformers movies were good. And it was squashed in that same movie. Age of Extinction is the Icarus of Transformers movies.